In a lecture given to students on Columbia University’s creative writing programme the novelist Zadie Smith responded to an invitation to speak about her craft. In doing so she gives a very good description of the ways in which one might pay attention to micro-interactions from which the global pattern emerges. She describes a complex, adaptive relationship with the act of writing.
She draws a distinction between macro planners and micro managers, counting herself amongst the latter (and it is interesting to note how the language of managerialism has permeated even novelists’ language). Macro planners organise everything in advance: the material, the plot, the structure, and may even write their novel from the middle. It is this tight structure that they use as their enabling constraint, which gives them freedom on the one hand, but hems them in on the other. As one choice forces another, sometimes they are impelled to change the choices they have made, moving a locale from London to Berlin, for example. Continue reading